Fernando Hofilena, MD, Lux-in-Domino Awardee (26 Dec 1919 to 10 Jan 2012)

Fernando P. Hofile?a, M.D. (December 26, 1919 – January 10, 2012)

Fernando “Doc” or “Nanding” Hofile?a, M.D., Ateneo alumnus HS ’37, AA Pre-Med ’39, academician, administrator, pediatrician, child
psychologist, writer and Lux-in-Domino awardee, passed away on Tuesday, 10 January 2012, at the age of 92.

His remains are at the Rolling Hills Memorial Chapel, 27 Lacson St., Bacolod City, until 16 January 2012, Monday. Interment will be on 16 January after a 9:00 AM Mass at the Rolling Hills Memorial Park Chapel.

FERNANDO P. HOFILE?A, M.D.
Lux-in-Domino Awardee
15 July 2008
Henry Lee Irwin Theatre, Ateneo de Manila University

Students who have entered the hallow halls of the Ateneo leave with a seed planted in their hearts that contains the possibility of service, generosity and greatness, all for the greater glory of God. St. lgnatius of Loyola recognized that for the seeds to grow into a generous heart, they must be nurtured by God’s grace. There are those who have answered the call to serve so completely that their spirits become pillars of light that shine upon the rest of humanity and make us know that God truly is present in our lives. Today, we honor such a man – a man who has embraced service again and again with courage and trust in God’s love. This man is Dr. Fernando P. Hofile?a.

Dr. Hofile?a was born in Bacolod City on December 26, 1919 to Atty.
Roque Hofile?a and Angeles Puentevella. He was an exemplary student at the Ateneo de Manila, finishing High School in 1937 with First Honors and graduating from his Associate in Arts – Pre Med, summa cum laude in 1939. He pursued his medical degree at the College of Medicine of the University of Sto. Tomas. His studies were interrupted in his third year of medical school when the war broke out in 1941. He set aside his stethoscope and books to fill his politician father’s shoes and became acting mayor of Free Silay when his father was incapacitated by a venomous insect bite. He was only 22 years old. When the war was over he finished medical school and in 1952 was given a Fulbright grant to specialize in Pediatrics and Child Psychiatry in New York, Philadelphia and Pittsburgh.

Upon his return he shared his expertise in a multitude of ways. Besides opening a private practice, he taught mental hygiene in infants and children in the graduate schools of the Ateneo, UST and La Salle. He also began a child guidance clinic in the outpatient department of the UST hospital. He gladly accepted the offer of the Principal of La Salle Grade School, to begin a consultancy in Child Development in the La Salle Grade School. He wrote the chapter on child psychiatry in the textbook of Pediatrics by Fe del Mundo and wrote a column, “A Page for the Young at Heart” in the Manila Bulletin. ln the 1980s he shared his knowledge and recounted his experiences in his practice in schools, and in various symposia and seminars in and outside Metro Manila through his own weekly column “Child Care” in the Times Journal. At this time he was also a lecturer at Miriam College.

One of his most significant accomplishments is his contribution to the field of special education in the Philippines. Fresh from his studies broad, he chose to serve as pediatrician and clinic head of the special child study center, the first school for special children in the Philippines. Ten years later, the Center developed into the St. Joseph of Cupertino School for Retarded Children, the initial project of the country’s first Foundation for Retarded Children. lt is now known as the Cupertino Center for Special Children.

Dr. Hofile?a’s accounts of the Cupertino School emphasized the generous spirit of his fellow pioneers and the interactions between Cupertinians and Ateneans in arts and crafts. His writings brought attention to the inspired partnership between faculty members and students as they began programs such as music therapy, theatre therapy and therapeutic sports. He also defined a modern concept of volunteerism, set down a profile of the Filipino down syndrome, and developed the first curriculum for trainable retardates, providing researchers, doctors and the general public a window into the world of special education.

Dr. Hofile?a also explored his artistic self. He also took an interest in the cultural growth of medical and nursing students. With the intention of enriching their educational experiences, he wrote and directed four full-length plays about the lives of nurses and doctors. These plays are Vignettes from the Medical World, The Best Words, Curse or Blessing, and Carry the White Lamp.

His delight in performing in plays and operettas as a child in Silay grew into a passion for dramatics and oratory as a student of Ateneo and UST and motivated him to be involved with the publications of the Ateneo Children’s Theatre, Dulaang Sibol and Tanghalang Ateneo. His love affair with the Ateneo Glee Club began in the 1950s when he lent his tenor voice to their ensemble. ln 1978, he accepted their invitation to become their moderator. His presence and support moved the Ateneo Chamber Singers, a choir formed by alumni members of the Ateneo Glee Club, to ask him to be their moderator as well. His love for the arts, commitment to excellence, and faith in the Lord have inspired the members of these groups to be generous themselves.

His artistic spirit constantly finds new ways of expressing itself as when, at the turn of the millennium, he rediscovered his poet’s pen when he saw the exhibit of paintings by a former patient of his, Joven lgnacio.

Dr. Hofile?a took on another role that chronicled the spirit of Atenean service. As part of the Atenean Heroes Memorial Committee, he brought honor not only to Ateneo war heroes but also brought to light those Ateneans whose individual acts of courage are not officially recognized by the nation. ln his 9th year as Chairman of the committee, he had 127 Ateneans recognized for their valor and enshrined in the memorial launched by Fr. Pacifico Ortiz, SJ in 1969. He was finally given due recognition in 2005 at a pre-lndependence Day program hosted by the Ateneo called Sa Piling ng Mga Bayani (Heroes in our Midst) for his courageous leadership and embodiment of lgnatian ideals in World War ll. When he heard that Japanese forces occupied Negros, he returned to his hometown to join his parents and twelve siblings in the resistance movement.

Now in his twilight years, he is still a Eucharistic Minister at the Sta. Maria della Strada parish and continues to find new ways to serve others and continue Cod’s work. He is the founder of the Lector’s Guild at the della Strada parish and has volunteered to train the lectors of the Our Lady of Pentecost parish.

Dr. Hofile?a wrote that although he left Ateneo after graduation, Ateneo never left him. lndeed, the Ateneo is fortunate that no matter what path he takes, he always makes his way back to her halls and classrooms. Many Ateneans recognize him as the dignified elderly gentleman whom they see walking around the campus and up and down Katipunan. lf that is all they will ever know about Dr. Hofile?a, it is enough. For his very presence is enough testimony to his ideals.

To quote Dr. Hofile?a himself, “Nothing is better now than expressing in all sincerity our gratitude, which is never sufficient.”

For his inspired leadership and immense contribution to the fields of Pediatrics, Child Psychiatry and Special Education in the Philippines; for his pioneering spirit in creating medical, educational and spiritual programs and institutions; for his dedication to holistic education by inspiring his students to employ all their talents for the greater glory of God; for shining his light on the acts of heroism and contribution of his fellowman; for constantly answering the call to serve with a resounding ‘yes’; and for embodying the lgnatian spirit of ‘magis’ in the twenty-first century, the Ateneo de Manila University proudly confers on her son, Dr. Fernando P. Hofile?a its Lux-in-Domino Award.

Lux-in-Domino Award

The Lux-in-Domino Award is a special recognition of an extraordinary individual who has incarnated in life, and perhaps even in death, in an exemplary manner, the noblest ideals of the Ateneo de Manila University. Recipients of the award are chosen exclusively from the ranks of alumni or alumnae of the Ateneo de Manila University.

The title of the Award is taken from the motto of the Ateneo which
appears both in the old and new seals. Taken from St. Paul (Ephesians 5:8), the phrase Lux-in-Domino, “light in the Lord”, traces an ideal and sketches a way of life which the Ateneo holds up to her sons and daughters as their path of Christian discipleship. These words illuminate the purposes and aims of the University which point that the Ateneo is FILIPINO, CATHOLIC, and JESUIT:

FILIPINO, in that she seeks service to the nation and the objectives of genuine national development.

CATHOLIC, in that her fundamental charter is the Gospel of Jesus and the beatitudes; that her guidelines are those of the teaching of the Catholic Church. In the contemporary perspective, those guidelines focus on service to the Faith which today includes the Promotion of Justice as a constitutive dimension of the task of evangelization.

JESUIT, in that she seeks to live the Filipino and Catholic marks in the spirit of the magis (the “ever more”): to seek the ever more generous, the ever more “totally given” service; nothing held back, in the spirit of the Ignatian prayer,

to give and not to count the cost,
to fight and not to seek for rest,
to labour and ask for no reward . . .

To be “light in the Lord”, in all fullness may demand a following of Christ even to the offering of one’s life.

RESPONSE OF DR. FERNANDO P. HOFILE?A
LUX-IN-DOMINO AWARD CITATION

Thank you, Fr. Nebres, members of the Board of Trustees and Mr. Capistrano.

I am in my twilight years but on this occasion I can see the sunrise.

The honor I am receiving today is so great that if I were much younger, I would feel a surge of joy and pride, and I would be euphoric for a long time, but as I’m an Octogenarian I can only say soberly that I feel a mix of contentment, fulfillment and gratitude.

Recalling the title of the Homecoming concert of the Ateneo College Glee Club, the harbinger of the Ateneo Chamber Singers, after the group won a string of 1st Prizes, including the Grand Prix in the European competition in 2001, I now pray to the creator “Non Nobis Domine” – meaning: Not to us, Lord, but to Your name, give the glory. I cannot claim the honor they’re giving, it’s Yours.

I cannot thank You enough, Lord for having gifted me with the talents and other qualities that enabled me to become an Atenean with a passion for excellence in academics and the arts, an ideal stated in The Ratio studiorum as Sapientia, Eloquentia et humanitas.

I am also grateful to my alma mater for the holistic education and the effort to inflame my heart with The Ateneo spirit. We old alumni have always carried this spirit in our private lives. It has morphed into what some of us call “spirit of dedication to a cause”. Not a few have sacrificed their lives for it. I believe this can explain why we tell people that though we have left the Ateneo, the Ateneo has never left us.

It is this spirit intertwined with love of God, devotion to Mother Mary, obedience to St. Ignatius, love of country and fellowman instilled in us by our Jesuit mentors that can explain why 34 Ateneo ROTC cadets defied the order to disband all cadets in the country early in the Pacific War and volunteered to fight in Bataan; and why my brother Cris, also an Atenean, and I led our family in escaping from the Japanese at high noon and trudged for hours until we reached the mountains of Negros and joined the Resistance Movement. It was there that I had to carry out the duties of the Mayor of Silay because my father was incapacitated by the bite of a venomous insect.

Unknown to many is the fact that my desire to serve the Ateneo community has been strengthened by the beauty of nature, the God-given beauty I’ve always loved, the beauty that has made the Ateneo campus in Loyola Heights a paradise, a home away from home.

I will always treasure the awards I receive from my alma mater: summa cum laude in 1939; Irwin award from the Ateneo Children’s Theater two decades ago; and now the Lux-in-Domino, the greatest of all.

* * *

FERNANDO P. HOFILE?A, M.D.
Ateneo de Manila HS ’37, AA ’39

Walking in the Hero’s Footsteps
By Joel Navarro

From the book “To Give and Not to Count the Cost”

“What is a hero without love for mankind.” – Doris Lessing, 2007 Nobel Prize for Literature

We celebrate the sacrifice of many overseas Filipino workers who risk spousal estrangement and dysfunctional family dynamics in order to provide for their struggling families. We are particularly drawn to these ordinary women and men who do extraordinary feats in the name of love. What profoundly humbles me is when I meet extraordinary individuals who choose to divest themselves of recognition and become true servants to minister in such invisible yet incarnate ways. Their acts of heroism are hardly ever noticed by the ordinariness of duty and routine that cloak these acts. We who glimpse these kindnesses are touched and transformed.

When I assumed the mantle of leadership of the Ateneo College Glee Club in June 1979, I was immediately introduced to Dr. Fernando Hofile?a, the choir’s moderator. We struck up a good conversation. He knew I had just begun a second college degree at UP after a self-interrupted career as a mathematics instructor at the Ateneo. He knew I spent some years in Bacolod which became second home to my family. As people in Negros Occidental are wont to do, he would ask if I knew a Gamboa, a Jalandoni, a Lacson, as Ledesma, a Lopez, or a Montelibano. Being a transplanted Manile?o who really had no pedigree, I could only answer that I knew some of them but was not related to any of them. I was nonetheless treated like Ilonggo royalty with his usual charm, kind grace, and elegant demeanor. I’ve always been fascinated with this penchant for genealogies and associations as hyper-typical of our intricate social networking which saves the day for Filipinos when our politics and social services fail. Doc, as we in the glee club fondly called him, was a happy reminder that our connectedness was our salvation as a people.

Doc was always the hero to the glee club batches that I directed. Home after a day’s work at Cupertino, he would often walk to the Loyola Heights campus to hear us rehearse. He was always ready with his encouragement, his gracious smile, and steady prayer. My first years with the glee club were rather tumultuous, given the combination of strong personalities within the choir, my authoritarian demeanor then, the relentless drive to chart musical history, and the existential desire to make meaning out of the meaninglessness that was martial law. He would say the glee club was his therapy. In my view, his presence gave thera-peutic balance and ease to an otherwise tense rehearsal. His selfless love for the choir was a counterweight to our selfish ambitions. His undiminished loyalty to our music making anchored our belief in ourselves and in our missioin of excellence in music and faith.

Always generous with his praise and encouragement, Doc was a dependable friend and guide, I would often be incredulous at his gracious speeches to the choir after what I thought was a concert of disastrous renditions. He often saw the big picture while I sweated and nitpicked on the minutiae. Surely the devil was in the details, but Doc saw the angel in the broader brushstrokes.

During my years with the glee club, I had many days of unuttered
self-doubt and self-loathing, often wondering if I was the right person for the job. He could hear those thoughts clearly. Surely my knitted brow and vacant gaze gave them away. Yet, he never mentioned a word of criticism. As a listener, he completely trusted that things would be resolved by an Unseen Hand, certain that people like me who ranted about our misfortunes would eventually find our way back.

Doc was also hero to many. He gave selflessly in his work with children who had learning challenges, and in his work with patients who had psychological disorders. He loved the Ateneo basketball teams and often watched them practice at the Loyola gym. He gave his support to the choir at Barangka, the plays of Dulaang Sibol, and just about everything Atenean.

When he became the recipient of Ateneo’s Lux-in-Domino Award in 2008, many of us in the glee club were in awe to learn for the first time about his stellar accomplishments as a student, artist, academician, administrator, pediatrician, child psychologist, writer, and lay worker. He never spoke about them. He was, by all accounts, an exceptional human being who chose a life of service so that others may learn the goodness of God. Doc embodied the spirit of giving beyond measure simply because he loved unconditionally.

Conductors can be overrated, this one included. We try to lead by
example only because we have examples whose footsteps we merely follow. Dr. Fernando Hofile?a was one such exemplar. We are who we are only because of the people who shape us – students, colleagues, associates, administrators, parents, and family members who mirror our frail humanity but who remind us of our godly inheritance and heavenly citizenship.

Dr. Fernando Hofile?a’s moderating influence, loyal love, and generosity of spirit will always be remembered as selfless acts of heroism to many he served. He will be ninety years old on December 26, 2009. More than a third of his life has been spent in a love affair with the glee club. Many of us have walked behind this hero’s footsteps and have become better children of the Light. May this honor crown his ninetieth year with a hero’s laurels and a trumpet sound of praise from a grateful chorus who are learning to serve others just as he has served us in fullest measure.

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Frank Chow of the Vancouver Traditional Mass Society visits the Manila Observatory’s Chapel

I.  A Mysterious E-mail

I received an email from a certain fjch1 with a title “Best Wishes”.  I thought it was a spam.  But I opened it anyway.  And I read:

I’m an Ateneo alumnus (BS Bio 1976) who lives in Vancouver, British
Columbia. My wife and I attend Holy Family Parish, a Traditional Mass
parish in the care of the FSSP, and I am also on the board of the
Vancouver Traditional Mass Society. We come to Manila every December and
I’m excited to learn about your efforts to bring the Traditional Mass to
the Ateneo campus. It looks like you may already have found your stable
group, if the number of members of this Yahoo Group is any indication.

I would be interested in meeting you sometime (I’ve been following your
blog for a number of months). What will your schedule be like during the
Christmas holidays? We’ll be leaving for Vancouver on January 11, so I
could also look you up on campus when classes resume in the new year.

Yesterday he gave me his phone number and I gave him mine.

II.  Where Have All the Jesuits Gone?

Today, at 7:30 a.m. he texted me that he dropped off something at the Jesuit Residence.  He wondered whether I am already in the office.  I told him that I will be in school in an hour.  I was still riding the jeepney to Guadalupe then.  I thought he already left.  But at about 8:30 a.m. he texted me that he is touring around grade school.  He wondered if I am nearby.  I informed him that I am already on in Katipunan.  I shall be at the Observatory in 5 minutes.

When I arrived at the Observatory, I met Frank at the entrance door of the Observatory.  We shook hands.  He told me that he went to the Ateneo Grade School to visit the Chapel of the Holy Angels where he once served.  He said that there was once an altar attached to the wall there aside from the new altar.  The Tabernacle is still at the center, but the old altar is gone.

We went to the third floor of the Observatory to see the chapel. The third floor used to be the Residence Hall of the Manila Observatory’s Jesuit scientists.  But the Jesuits are gone and the community there was dissolved.  The remaining Jesuits at the Observatory is 86-year old Fr. Sergio Su, S.J. who studies the focal mechanism of earthquakes, and the 70(?)-year old Fr. David Skelsky, S.J., who made possible the transfer of many Standards equipments from the U.S.   He is currently assembing and fixing them.   But Fr. Skelsky is only on a loan; he will be back to the U.S. soon.

At the end of the stairs, a lattice of woodbeams barred our way.  Who locked this?  There is no knob.  Frank suggested to look for a latch or something on the opposite side.  I can find none.  Hmmm… I moved the woodbeams to the side.  It moved.  Welcome to the mines of Moriah!

We entered the chapel and knelt.  The chapel was bare.  There are no pews yet.  A small table served as the altar table.  Behind it is a chair.  On the side is the tabernacle.  It was veiled.

We entered the sacristy door beside the altar.  On the left are three small rooms for private masses that can accommodate only one priest and one server.  Each room has an altar pushed to the wall.  At the back is a small cabinet as big as two shoe boxes.  The cabinet contains some small candles and others.  Pasted on the cabinet door are the Latin prayers for each vestment.  Beside the small cabinet is a large cabinet.  It contains chasubles in different colors.  But they are old and dusty.  Frank took some pictures.

“It is sad that this place is dilapidated,” said Frank.

I accompanied Franck to the last room.  On this room was stacked the kneelers.  Each kneeler can accommodate only one priest.  The kneelers are stacked neatly now, unlike before when my friend and I saw them.  A week before she entered the convent, we cleaned these kneelers.  We removed the dusts with a Good Morning towel soaked in soap.  We cleaned each kneeler thrice.  It was her first time to handwash towelettes, so I laughed when saw her did it.  “What are you doing?” I asked her.  And I gave her a lecture in Laundry Washing 101.  I pity her sweet little hands.

III.  A Frank Conversation

Frank and I left the sacristy and went back to the chapel.  He took a picture of the main altar.  Seen through the tall windows on the left are the Observatory’s sprawling green fields.  There is the white solar building that jutted out like a rock of marble.  I pointed to the Grade School buildings beyond it, covered from view by a row of mango trees.  I pointed to my brick building towards the east, beside the big black sphere.  A thin mist shines in the morning sun.

Frank told me that in their parish in Vancouver, they have a regular Traditional Latin Mass every Sunday.  For seven years, they shared the church with a parish.  They petitioned the bishop to have their own personal parish.  Nothing happened until 2007, when a sympathetic auxilliary bishop came and Summorum Pontificum came out.  The Bishop found a church for them.  It was the parish church of a German community.  But the community dwindled.  They cannot anymore support the maintenance of their parish church.  So their parish was fused with the other parish, and the German church was given to the TLM community.

Today, this community has two FSSP priests: during Sundays, one priest says the mass while other hears confessions.  On special feast days, two FSSP seminarians goes to the parish and a high mass is celebrated.  Frank hopes that we can have something similar at the Ateneo de Manila University.  I agreed.

I told Frank that the new Church of the Gesu here at the Ateneo could not have masses every Sunday; it has only two Sunday masses per month.  The reason for this is that there are about three churches along Katipunan Avenue: Monasterio de Sta. Clara, Our Lady of Pentecost Church, and Our Lady della Strada Church.  If the Jesuits offer two more Sunday masses at the Church of the Gesu, these other churches would lose financially.  On the other hand, if we offer a TLM every Sunday, I think nobody will protest.  We are such a tiny group.

“Does the Director of the Manila Observatory approve the use of the chapel for the TLM?” asked Frank.

I told Frank that Mrs. Antonia Loyzaga is supportive the TLM initiative.  She has heard Latin masses in her youth.  She wants the chapel renovated to make it a real chapel with pews.  That is why she asked me lead the design for the chapel.  I submitted to her a simple design that I posted in the Ateneo Latin Mass Society Yahoo group (It is also available in my Padre Faura’s notebook blog in pdf).  My next problem is to make the costing.  Her problem is to find the funds for the renovation.  She said that the chapel, because it is a Jesuit chapel like other chapels in Ateneo de Manila University, should have its own budget from the Jesuit community.

“But the Jesuits are having financial problems,” said Frank.  “They have this property in Sta. Ana which they are thinking of selling.  But they may find it difficult to do so, because the property is being considered as a historical landmark” (see Inquirer article here).

I told Frank that I envision that the TLM mass collection will go to the purchase of vestments for priests, altar servers, and vessels.  I told him about the Franciscan Sisters of the Immaculate.  They make these vestments.  I saw some of their chasubles–they are exquisite.  The cost is about PhP 5,000 per set, because the chasubles must match in design with the coverings for the vessels, for example.  I am not sure if one set means one liturgical color, and there are are about five colors–green, white, red, black, violet.

Frank said that if it is only P 5,000 per set, that is only about a $ 100, which is not big for those in Vancouver.  There are also Filipinos there who may like to help, even if they cannot be here at the Ateneo.  Frank ask me to canvass this soon and inform him of the amount.

We thanked each other and left the chapel.

When we closed the chapel door, we read a sign: Chapel of St. Joseph.

“Joseph is my middle name,” said Frank.

This explains the riddle: fjch1 means Frank Joseph Chow… I don’t know what h1 means.  I did not anymore ask him.

Monk’s Hobbit Notes: Frank sent me the pictures of the Manila Observatory chapel.  You can find them here.

The Crucified Mummy Christ in Our Lady of Pentecost Church in Quezon City

A few weeks ago, my friend and I went to Our Lady of Pentecost Church near Katipunan Avenue, Quezon City.  The church looks like a church from the outside.  But inside it looks more like a museum for modern art, with its cylindrical, two-floor design.   The stark simplicity of geometrical forms from candlesticks to the priest’s chair forms a striking contrast to the elaborate baroque churches of centuries past.  The centerpiece is a huge crucifix on the altar wall.  I can’t gaze at the crucifix for long: it is terrifying.

On two cross beams was nailed a man with linen cloths wrapped around him–a crucified mummy.  The linen cloths are in the motion of unwrapping, perhaps suggesting resurrection.  The artist tried to combine the crucifixion, death, and resurrection of Christ in a single image, as the picture of the Divine Mercy, for example, combines the white garment of the resurrected Christ with the rays of blue and red suggesting water and blood which flowed out of the side of Christ during his agony on the cross.

But the iconography of the crucified mummy Christ does not speak of biblical truths.

First, it was customary in Jewish burial that the dead be wrapped in strips of linen cloths, as done, for example, to Lazarus.  But Jesus was not wrapped with strips of linen: his burial was made in haste because he died at 3:00 p.m. on Good Friday and Jewish Sabbath (Saturday) begins at 6:00 p.m.  Since no one can do any work in the Sabbath, Jesus was most likely wrapped only by a Shroud (see Shroud of Turin).

And second, even if we assume that Jesus was bound with linen strips in his burial, then the icon should not depict him also crucified at the same time.  True iconography is based on the literal texts of the scriptures.  Departing from this is perilous (and scary).  And we must also remember that icons are meant to instruct the illiterate and the ignorant.  So woe to us who put stumbling blocks in the understanding of these little ones.  For the good of their souls, this crucified mummy Christ must be replaced by a more traditional crucifix.