Ateneo Psychology Department has an undergraduate thesis poster exhibit on homosexuality

The Department of Psychology warmly invites the community to view the Psychology Undergraduate Poster Exhibit from February 21 to 24, 2011 at the MVP Basement Lobby. The exhibit showcases the theses of the senior Psychology students in poster format.

We would also like to invite everyone to the Senior Psychology
Research Conference on Thursday, February 24, 4 to 6pm at the Leong Auditorium. In this conference, the five nominees for Best Undergraduate Thesis will present their papers.

An Interpretative Phenomenological Study on the Subjective Experience of The Balikbayan Child by Chester P. Cheng, Danela Lois S. Gil, and Maria Enrily D. Magtanong

Coping and Empowerment Strategies of Female Survivors of Prostitution by Gloria Gail Lim, Nina Lizares, and Irisa Wassmer

Filipino Homosexual Families and the use of Redefinition and Intentionality Strategies for Building and Sustaining Family Networks by Leonora Isabelle Dumlao, Francesca Amalia Gaviola and Denise Suarez

I Kissed A Girl and I Liked It: An Interpretative Phenomenological Study of Filipino Homosexual Men in Mixed Orientation Unions by Paolo Stephen R. Banaga, Leia Erika B. Obias and Joy Albertine Mae G. Valenton

An Interpretative Phenomenological Analysis of the Experience of Cancer in a Filipino Family by Katrina G. Caballas, Paula Elise SM. Doroteo, and May Anne V. Lee

Monkshobbit’s Notes:
If Ateneo de Manila University does not defend its Catholic traditions against the seige of homosexual propaganda, Ateneo shall become a Catholic-In-Name-Only just like other Jesuit schools like Georgetown and Fordham who caved-in to homosexual ideology. The Dark Ages are at hand.


A feisty Jesuit priest: Howie Severino’s biographical essay on Fr. James Reuter, S.J.

Born on May 21, 1916 to a young German-Irish couple, Reuter had spent most of his life in New Jersey when he volunteered to be a Jesuit missionary in America’s only colony in Asia in 1938.

The eldest of five children, Reuter’s choice of vocation came early, inspired by his own Jesuit mentor, Ernest Hartnett, at his Catholic High School in New Jersey, Saint Peter’s Prep. A few months after graduating valedictorian while playing varsity athletics, he entered the Society of Jesus and started his novitiate training in Pennsylvania. By age 20, Reuter had taken his first holy vows, and arrived in Manila at age 22 as a Jesuit scholastic, or a priest-in-training. He had known about the archipelago since high school, when he had argued in favor of independence in the intense debates going on then in the United States over the fate of the Philippine islands.

After several years of study, including two years in the Philippine summer capital of Baguio up north, he was assigned to teach at the Ateneo de Manila in mid-1941. At the same time, he began his radio career when he was also tasked to help produce the Catholic Church’s popular Sunday-night radio drama show, “The Commonweal Hour.”

This was the start of Reuter’s long career in Philippine media. But it may have also marked the dawn of his extraordinary impact on the would-be republic’s public life. The radio program reached many listeners, and featured actors from the Ateneo who would later distinguish themselves in the public sphere: Leon Ma. Guerrero, Raul Manglapus, Ricardo Puno, and Francisco ‘Soc’ Rodrigo, to name a few. The show’s chief writer was a precocious young Jesuit named Horacio de la Costa, later the superior of the Jesuit province and one of the country’s pre-eminent historians. (Back then, de la Costa wrote witty radio plays for the masses, including the series “Kuwentong Kutsero,” which became so popular it eventually crossed over into television and also became a hit.)

The reverie of Reuter’s early years in the Philippines was interrupted by the Japanese invasion and the start of World War II. As an American, the priest was interned in Los Baños, south of Manila, where he was assigned the duty of burying dead inmates. In early 1945, while the Japanese guards were doing their daily calisthenics, U.S. paratroops sprung a surprise assault and quickly took over the Los Baños camp. As he was liberated, Reuter was overcome by patriotic emotion and vowed then that he would never give up his U.S. citizenship. He would recall four decades later, “Coming into Manila in a military jeep, in the bright morning sunlight, with my hair blowing in the wind, I was in real ecstasy. We were free! We were really free!”

Reuter returned to the United States for more studies after the war and was ordained in 1946. In addition to theology, he enrolled for a summer at Fordham University to study a new course in radio and television, which was then a new medium that many radio professionals were skeptical about. Located in New York, Fordham exposed the Jesuit communicator to the media industry’s cutting edge.

In 1948, he returned to the Philippines where he was assigned to teach at the Ateneo de Naga, in the Bicol region, where he began to blossom as the prototypical Jesuit Renaissance man. He taught English and religion, but after class he was in charge of five extracurricular activities: the school’s monthly magazine and yearbook, the glee club, the debate team, dramatics, and the varsity basketball team.

He was reassigned to the Ateneo de Manila in 1952, where his versatility was put to full use. His theatrical talents were already well-known. But soon after his return to Manila, he revived the Ateneo glee club, which “quickly became something of a national phenomenon,” according to one account of those years.

Read more: A Feisty Jesuit Priest

Vagina Monologues is back in Ateneo de Manila University in 2010 after it was banned by Dr. Anna Miren Intal in 2002

After my 7:30-8:30 p.m. Ps 121 class last Wednesday, my female student told me that the Vagina Monologues will be shown at the Cervini Field at 6 or 6:30 p.m.  that day, just after our Physics long test.  The play is under the direction of Missy Maramara of the Ateneo English Department (see Petrablog).  This is for the culmination of the Ateneo Women’s Week.  She is excited to watch the play.

I told her that Vagina Monologues should be banned in the Ateneo, because Ateneo is a Catholic University.  Why should the play be shown in Ateneo when it glorifies the sexual liberation of a woman by having sex with a lesbian.  Another student of mine told me that that his Theology teacher also believes in the same way as I do.  I should have asked the teacher’s name so that I can send him a note of thanks for teaching rightly.

In the year 2002, the film was banned by Dr. Anna Miren Intal, the Dean of the Loyola Schools.  Here is an account someone in favor of Vagina Monologues in Ateneo which I got from Pinoy Exchange:

Dr. Anna Miren Intal, Ph.D. is the Dean for the entire Loyola Schools. Obviously, Dean Intal is a female. She took her Ph.D. in Princeton, I believe so she supposedly has . She’s the end-all and be-all of the entire college, and she made her powers felt as she
>effectively derailed the project.

In a meeting with Rabbi and a co-Theatre Arts Major (Missy), Dr. Intal expressed her apprehension and objection about the project because (I’m paraphrasing here) “It goes against the thrust and vision of our Jesuit institution.” Furthermore, “It might destroy the moral fabric of the Ateneo…” (Jeez, you should hear me reinact this LIVE for the “lamb-ish” tone she uses!) When asked if she finds the word “Vagina” objectionable, she just laughs and says “That too…” Missy asked her what in the script she finds objectionable, Dr. Intal says, “To tell you the truth, I haven’t really read the script, but I’ve seen a lot of Broadway plays that are more tasteful…” Rabbi and Missy press her to reconsider, so she gives in a little. She says she’d “forward it to the THEOLOGY Department for moral evaluation.”


My friends went to their professors (to name a few, Ma’am Benny Santos, Sol Reyes, Fr. Nic Cruz, Dr. Ricky Abad) to ask for their recommendations for the staging of Vagina. They got it. Rabbi even went further by getting recommendations from FORDHAM Universtiy (another JESUIT institution in New York City), DePaul University, and some other universities abroad. Locally, he was able to get a a recommendation from a nun who happens to have a Ph.D. in Theology and who happens to be the President of St. Scholastica’s College (one of the more conservative colleges in the country). He wrote a letter to Dr. Intal about how universities like the University of the Philippines, De La Salle University, the University of Sto. Tomas, and St. Scholastica’s have agreed to stage Vagina in their campuses. Unfortunately, Dr. Intal did not budge.

She said she had to consider the “tens and thousands of students, parents, alumni who also have a stake in the Ateneo,” and that she doesn’t want “to be responsible for the thousands of people who will flock to the Ateneo in PROTEST” of the staging of Vagina. “I have to think like an administrator.” She even said that she doesn’t want the name “Ateneo” to be linked in the project in any way. She said that the administration has the trademark “Ateneo” and that she wouldn’t allow it to be used. She even said she didn’t want the students involved to say that they were Ateneans. (It was then she hinted of a ‘lawsuit’ if they did.)

How lame is that???!!

I don’t know how this Vagina Monologues got permission to be shown again in Ateneo. Missy Maramara who was only a Theatre Arts major in 2002 is now an Ateneo Faculty.   The quote is revealing: it shows how far the Jesuit universities have been stricken by this Vagina Monologues malady. And even the top Catholic Schools in the Philippines as well.  The Vagina Monolgues has seduced the most brilliant minds . Woe to those who call light as darkness and darkness light! As Christ said, if the light in you is darkness, how great must that darkness be!

I admire Dr. Miren Intal. I was able to join her for lunch once in the cafeteria years ago, long after she ceased to be the Dean of the Loyola Schools. She is a soft-spoken lady, yet principled and strong. May there be more faculty and administrators like her who defends Ateneo’s authentic Jesuit and Catholic tradition.