Was the CCP Poleteismo exhibit condemned by the bishops shown before in Loyola House of Studies?
August 7, 2011 6 Comments
From the Business World:
Since the controversy over Poleteismo exploded, the CCP’s Visual Arts Unit has been fielding calls from people requesting that Kulo be shut down. “The CCP will not be party to any censorship or suppression. Let it be a point of discussion,” said Ms. Flores, adding that she has seen works at the CCP that were “really, really, really more provocative and disturbing.” (Jose Legaspi’s installation in the Small Gallery, for example, which included a modified Pieta showing the Virgin Mother vomiting on the dead Christ.)
Poleteismo is an old piece first shown in 2002 at the Vargas Museum of the University of the Philippines. Mr. Cruz wasn’t thinking of the Reproductive Health Bill when he conceived Poleteismo nine years ago.
Versions of the installation have been exhibited elsewhere, most notably in 2007 in the lobby of the Loyola House of Studies (LHS) — a seminary inside the campus of the Ateneo de Manila University — as part of Tutok: Nexus, a group exhibit organized in cooperation with Simbahang Lingkod ng Bayan (SLB), “an association of religious priests, seminarians and lay people committed to the service of the Filipino Church and the Filipino nation.”
If Catholic clergymen had kept quiet, if Archbishop Oscar Cruz hadn’t called the exhibit “sickening,” if he hadn’t called the artist “sick,” if he hadn’t advised the artist to see a psychiatrist, if he hadn’t implied that the artist’s sexuality was abnormal, if Bishop Deogracias Iniguez hadn’t called for a boycott, then Mideo Cruz’s Poleteismo could have gone unnoticed by the larger public.
When they find it in one of the alcoves of the Main Gallery, they will see multicolored plastic piggy banks stuffed inside a case usually reserved for religious statues; and Christ the King with a bright red clown nose, his right hand replaced by a Mickey Mouse glove, and his head crowned with Mickey Mouse ears made from a Coke can.
Hanging behind a divider is a cross with a bright red penis thrusting out from the vertical bar. And on the walls, a multimedia collage composed of a confusion of images and objects: there are ads, political paraphernalia from Fernando Poe Junior, Gilbert Teodoro, and Barack Obama; there are religious posters of Jesus Christ, Virgin Mary, and the Holy Family; there are handouts, pamphlets, and stickers; there are rosaries, penis ashtrays, crucifixes, condoms, and Christmas lights; there’s a lot of stuff.
“Thereís nothing there that you won’t see in Quiapo,” said Karen O. Flores, officer-in-charge of the CCP Visual Arts Unit.