Jose Rizal’s statue of the Sacred Heart: Travel history and other notes
June 1, 2011 Leave a comment
RIZAL’S TRAVELLING STATUETTE
by Fr. Victor Badillo, S.J.While a student at the Ateneo Municipal in Intramuros, Jose Rizal (14) made a small statue of the Sacred Heart, about nine inches in length. He carved the statuette in baticuling wood with a penknife at the request of his professor Fr Jose Leonardo S.J. Father intended to take it with him to Spain, but the domestic helper forgot to place it in his trunk. It was left behind and was taken by Rizal’s fellow students. It was placed on a shelf above the door of their study hall where it remained for twenty years.
In August 1887, Rizal (26) returned to the Philippines and stayed till early 1888. Now a liberal in matters political as well as religious, he visited his Jesuit friends at the Ateneo. On his way out, the Jesuit porter showed him the statuette. Rizal replied, “Other times, Brother, other times. I no longer believe in such things.”*
In December 1896, after Rizal (35) was sentenced to death by the Military Tribunal which had tried him for treason, he asked for some Jesuit priests to visit him. Fr Miguel Saderra Mata, S.J., Rector of the Ateneo Municipal, together with Fr. Luis Viza, S. J., went in haste to Fort Santiago to the cell where Rizal was imprisoned. They were greeted warmly by Rizal.
Rizal asked them if the statuette of the Sacred Heart which he had carved as a boy was still at the Ateneo. Fr Viza, in reply, took the statuette out of the pocket of his soutane. He had guessed rightly. Rizal would remember it at the hour of his death. Rizal took it and kissed it in his hands and placed it on the table where he would soon write the Ultimo Adios.
The statuette remained in the cell. On the night before his execution, it was to Fr Jose Vilaclara, S.J., his former Physics teacher, that Rizal made his sacramental confession and be reconciled to the Church.
The following day, 30 December, before leaving his cell to go to Bagumbayan, Rizal held the statuette to his lips for the last time. With two hands holding it close to his heart, he moved slowly to give it back to the Jesuits who were with him to the last day.
When the fire of 1932 engulfed the Ateneo, the principal concern of the Jesuits was the safety of the students. No one got hurt. Many valuable irreplaceable collections went up in smoke and presumably the statuette. The Ateneo resumed operations in Padre Faura. In 1945 the Ateneo was destroyed completely during the liberation of Manila.
Some time in 1952, when Ateneo was in the Loyola Campus, Q.C., the statue was returned, presumably by the student who saved it from the 1932 fire, and inadvertently from the 1945 fire as well.
Replicas made from ash from the bowels of the earth hurled into the sky by
After some twenty three years in the Board of Trustees room, Fr. Bienvenido
NotesRizal was condemned to death for the crime of treason. He advocated not revolution but evolution. He wished the Philippines to be independent when it was ready for it. Up to the time of his death, he thought the time had not come. For him, independence would happen like a fruit automatically falling from the tree when it was ripe.
He enrolled at the Ateneo in 1872, the year Fathers Gomez, Burgos and Zamora were garroted to death for treason. They were innocent of this crime. The event so moved Rizal that later he said, “I would have been a Jesuit, but I had vowed to do something about their death.”
Baticuling is a hard wood used in carving, which now is not easily available. Without carving tools, Rizal carved an excellent statue using just a penknife.
When did Rizal carve this statue? He enrolled at the Ateneo when he was eleven. He lived at the Ateneo as a boarder. He got an AB degree at 16 in 1977. That year, he enrolled at the Ateneo and UST, both in Intramuros and a few blocks from each other. He left the Ateneo when he was 17, certified by the Ateneo as Agrimensor (Surveyor). I guess he carved the image when he was about 14. He still had to study anatomy.
Rizal carved the statue for Fr Leonardo. Did Fr need one for himself, or did he want Rizal to develop his talent? Why did he ask Rizal to carve an image of the Sacred Heart and not of someone else, like Our Lady? Did he specify whose statue he wanted? Rizal was the Prefect of the Sodality of Our Lady.
What thoughts passed through Rizal’s mind as he carved? Did he have lectures of the Sacred Heart in mind? Did he research his subject? What did he know of the devotion to the Sacred Heart? What did his devotion, if any, to the Sacred Heart consist of? What does the actual statue say? What was the state of the devotion at the Ateneo? How did he think of carving a statue with a hole in the chest?
Fr Leonardo’s sorrow on failing to bring the statuette that he could not bring the statue with him resulted in the statuette staying in the Ateneo.
It was painful for the nameless Brother that Rizal refused to even look at his statue. Would he have a statue if the houseboy had not forgotten? Would Rizal have thought of his statue in his cell if the Brother had not brought the statue as Rizal left? Did the Brother on his own or had someone asked him to show it to Rizal? How did Rizal feel when he gently rebuffed the gesture of the Brother? Did he feel sad? Was it like meeting a girl friend he had outgrown?
On leaving his death cell, Rizal held to his heart, the statue of Jesus holding his heart against his heart.
*When Rizal received the statuette, he kissed it and placed it on the table
For I go where no slave before the oppressor bends,
At the incarnation, God emptied himself. On the cross he emptied his body
On leaving his death cell, Rizal pressed the heart of the statuette against
But now, Rizal had no need for an image. For he had with him the Risen
Rizal’s request to be shot facing the firing squad was refused. But with a heroic effort, he turned his body after he was shot and he fell face forward. To kiss Filipinas, his heart against the land.